Read reviews that mention james scott scott bell mirror moment write your novel novel from the middle golden triangle highly recommend highly recommended easy to understand quick read story structure main character books on writing recommend this book writing craft well worth plotters and pantsers worth the price conflict and suspense writing from the middle.
There was a problem filtering reviews right now. Please try again later. Kindle Edition Verified Purchase. Any time James Scott Bell writes a book on writing, I buy it. I have every single one of his books on writing as well as a good bit of his fiction , and all of them have given me a new and exciting perspective on how to write better. This book might be a game changer for plotters and pansters. Many books claim to be flexible, but appear to be some version of "outlining lite". There's nothing wrong with that, but it's not really new information.
This plotting from the mirror moment out is the perfect compromise between writing a 50 page outline and writing the entire book by the seat of your pants and then revising heavily. It's a bare bones structure, either from the plot or character standpoint, that allows you to fill in the blanks as much or as little as your writer's heart desires.
There's also extra bonus goodies at the back of the book, including one of Bell's best exercises. It shows you how to channel your creavity to mimic the lovely period right before falling asleep. I use it almost every time I write and it's made a huge difference. All in all, this book is worth every dollar, and much more than the price he's charging. He remains one of my go-to authors to insta-buy from, and someday I will realize a life long dream of attending one of his seminars. Until then, we can be content with the writing books he puts out.
Writing's Best Return on Investment! This is another fine five star effort by James Scott Bell. Starting your novel from the middle provides a different POV on the process of creating a page turning story. I find it useful to look at your WIP from this point of view in a way to check for weakness in your storyline which you would not otherwise notice. It is at this hinge point that the play gets locked into the path it will follow until the end.
I believe that Bell has intuitively seen what makes great writing work and last through the ages. Bell has expanded this idea and make it easily obtainable for many different genres. The author shows how this method can be used by plotters and pantsers while at the same time allowing them to mostly follow their natural writing MO. As a plotter I want to be sure the book is going to be a great book before I being the project.
So I write the last chapter first. That does not make sense if your goal is to make money from your writing. First write a great ending then make that ending come true. You know because you put it there. A pantser, after a year of work, may have to take the only ending that will work given what came before. This is no way to get a stand up and cheer ending. Also, when the dark days of the sagging middle get the pantser down, it is easy to think the whole effort is not worth the candle. To sum it up, I will use the guidance offered in this book which I feel is a great return on my investment in time and money.
I see the midpoint mirror moment as a handy midcourse correction on the way to the moon. Actually, there is a lot more writing advice in this book as a bonus and just that material alone would be well worth the price. James Scott Bell Does it Again! A five star return on investment! Frankly, there wasn't much info in this ebook. It's pretty much a one concept book that only gave a few pages to that concept. However, I did like his pitch creating sentences, which weren't actually related to the premise of this book.
But even that wasn't much new. The author has a blog post on this Mirror Moment and Death Stakes concept, which pretty much said what this book had to say about it.
Save your money and read his blog post about it. The Golden Triangle is comprised of three elements, ie.: Before the Beginning past, something that has shaped the main character. The structure of the novel by Bell does not differ from the existing canons and consists of three acts based on two pillars: Doorway of Non Return 1: Doorway of Non Return 2: Second Plot Point The difference is to start work on the structure of the novel from the inside or from the midpoint character point.
According to Bell this way is far more effective than chronological creation of the novel. Importantly, the book contains very useful examples relating to the well-known novels and movies. See all reviews. See all customer images. Most recent customer reviews. Published 7 days ago. Published 13 days ago. Published 15 days ago.
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Maybe it was at first. If you have to go back in and increase the number of pages you need to produce per session, do that I still do it all the time.
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Have you found yourself writing a sentence and then checking your email? Writing another and checking Facebook? Then you just have to check out that precious video from a talk show where the dad surprises the family by returning from the war. That leads to more and more of the same. Look into these apps that allow you to block your email, social media, browsers, game apps, whatever you wish during the hours you want to write.
Some carry a modest fee, others are free. Your details and logic and technical and historical details must be right for your novel to be believable. The last thing you want is even a small mistake due to your lack of proper research. Your credibility as an author and an expert hinges on creating trust with your reader. That dissolves in a hurry if you commit an error.
Talk back to yourself if you must. It may sound silly, but acknowledging yourself as a writer can give you the confidence to keep going and finish your book. Not you-first, not book-first, not editor-, agent-, or publisher-first. Certainly not your inner circle- or critics-first. When fans tell me they were moved by one of my books, I think back to this adage and am grateful I maintained that posture during the writing.
So, naturally, you need to know your reader. When in doubt, look in the mirror. The surest way to please your reader is to please yourself.
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Write what you would want to read and trust there is a broad readership out there that agrees. Oh, it can still change if the story dictates that. But settling on a good one will really get you off and running. Great opening lines from other classics may give you ideas for yours.
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In a novel, if everything is going well and everyone is agreeing, your reader will soon lose interest and find something else to do—like watch paint dry. Are two of your characters talking at the dinner table? Have one say something that makes the other storm out. Some deep-seeded rift in their relationship has surfaced. Thrust people into conflict with each other. Check out some of the current bestselling nonfiction works to see how writers accomplish this. Tension is the secret sauce that will propel your reader through to the end. Many of us are perfectionists and find it hard to get a first draft written—fiction or nonfiction—without feeling compelled to make every sentence exactly the way we want it.
Deep as I am into a long career, I still have to remind myself of this every writing day. I cannot be both creator and editor at the same time. That slows me to a crawl, and my first draft of even one brief chapter could take days. Our job when writing that first draft is to get down the story or the message or the teaching—depending on your genre. Imagine yourself wearing different hats for different tasks , if that helps—whatever works to keep you rolling on that rough draft.
This chore is about creating. Some like to write their entire first draft before attacking the revision. As I say, whatever works. I alternate creating and revising. The first thing I do every morning is a heavy edit and rewrite of whatever I wrote the day before. Then I switch hats, tell Perfectionist Me to take the rest of the day off, and I start producing rough pages again. Compartmentalize your writing vs.
Most who fail at writing a book tell me they give up somewhere in what I like to call The Marathon of the Middle. The solution there is in the outlining stage , being sure your middle points and chapters are every bit as valuable and magnetic as the first and last. If you strategize the progression of your points or steps in a process—depending on nonfiction genre—you should be able to eliminate the strain in the middle chapters.
For novelists, know that every book becomes a challenge a few chapters in. Force yourself back to your structure, come up with a subplot if necessary, but do whatever you need to so your reader stays engaged. Fiction writer or nonfiction author, The Marathon of the Middle is when you must remember why you started this journey in the first place.
You have something to say. You want to reach the masses with your message. It still is for me—every time. Embrace the challenge of the middle as part of the process. If it were easy, anyone could do it. This is just as important for your nonfiction book as your novel. But even a how-to or self-help book needs to close with a resounding thud , the way a Broadway theater curtain meets the floor. Agents and editors can tell within the first two pages whether your manuscript is worthy of further consideration. That sounds unfair, and maybe it is.
Because they can almost immediately envision how much editing would be required to make those first couple of pages publishable. For my full list and how to use them, click here. Imagine engaging a mentor who can help you sidestep all the amateur pitfalls and shave years of painful trial-and-error off your learning curve. Many masquerade as mentors and coaches but have never really succeeded themselves. Look for someone widely-published who knows how to work with agents, editors, and publishers. There are many helpful mentors online. I teach writers through this free site, as well as in my members-only Writers Guild.
Want to save this definitive guide to read later? Click here or below to download a handy PDF version: Struggling with knowing how to write a book? Tell me in the comments and feel free to ask questions. Before you go, be sure to grab my FREE guide: How to Write a Book: Everything You Need to Know in 20 Steps. Just tell me where to send it: But what if you knew exactly: My goal here is to offer you that plan. Assemble your writing tools. Break the project into small pieces. Settle on your BIG idea. Set a firm writing schedule.
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Establish a sacred deadline. Start calling yourself a writer. Find your writing voice. Write a compelling opener. Fill your story with conflict and tension. Turn off your internal editor while writing the first draft. Persevere through The Marathon of the Middle. Write a resounding ending. Become a ferocious self-editor.
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Want to download this step guide so you can read it whenever you wish? Establish your writing space. What were you saying about your setup again? We do what we have to do. And those early days on that sagging couch were among the most productive of my career. Real writers can write anywhere. Scrivener users know that taking the time to learn the basics is well worth it. So, what else do you need? Get the best computer you can afford, the latest, the one with the most capacity and speed. How to Start Writing a Book 3. An old adage says that the way to eat an elephant is one bite at a tim e.
Try to get your mind off your book as a or-so-page monstrosity. So keep it simple. To be book-worthy, your idea has to be killer. Go for the big concept book. Run it past loved ones and others you trust. Does it raise eyebrows? Or does it result in awkward silences? What separates great nonfiction from mediocre? Ideally, you want to schedule at least six hours per week to write. I used the phrase carve out above for a reason. But beyond that, the truth is that we all find time for what we really want to do. A favorite TV show? An hour of sleep per night? Be careful with this one; rest is crucial to a writer.
Successful writers make time to write. Without deadlines, I rarely get anything done. I need that motivation.